THE OPTION PERIOD. As with most terms of the OPL, the option period is negotiable. The current standard for an initial option period is one year to 18 months. I have seen options as short as thirty, sixty and ninety days, but in general it takes at least one year to eighteen months to “set up” or finance a project. The above rules generally apply to the option contract for a finished play between playwrights and theatre producers. A key difference is that the playwright may refuse to have his product modified in one way or another without consent and participation. Many authors dream that one day their story or screenplay will arouse the interest of someone who wants to turn it into a film or television project. In general, the first step is when someone, perhaps a producer or a production company or even a studio, offers the author a contract known as an option contract. As with all these issues where art meets trade, I always advise you that when you are asked to sign something, except an autograph, you should have your lawyer checked first. Every writer should have a literary agent and a lawyer to advise him on his business relationships as soon as he enters this phase of the process, where the creative is spreading in the business world. There is no strict and quick rule on fees that are due for an option agreement. As far as the rate structure is concerned, you first pay an “option fee” for the “option period.” This is the money you pay for the exclusive right to develop your project based on the author`s content for a specified period, the option period.
It is difficult to give Ballpark characters because they are very different from one deal to another. Similarly, a producer may acquire the right to a particular book or film set if he decides to produce the property (book) until a specific date. In the case of the non-contract of production of the book, the right to the book is considered abandoned and put back on the market. One option gives a producer time to find money, actors and studios to produce a film. If/he cannot fulfill the option and therefore loses all rights to the property. Under a purchase agreement, an owner generally has more control over the property and a possible sale to a buyer than on an option agreement. As a general rule, a purchase agreement gives the owner the right to authorize the continuation to be given to a particular buyer. As a general rule, an option agreement does not impose such a restriction on the manufacturer`s conclusion of a deal. In addition, the owner may insist that he or one of his representatives participate in a pitch meeting or be informed of a parking meeting. Suppose Peter Producer found a script by Walter Writesalot. They enter into negotiations and Peter gets a one-year option to acquire all the rights to the script by paying a purchase price of $US 100,000.
Peter agrees to pay $US 1000  for that one-year period to ensure that Walter does not sell the coin to someone else. To fully describe the script, Peter Walter must pay $100,000 for the previous number of: beginning of the main photograph, or; The one-year option period expires. Unlike an option agreement, a sales contract does not confer rights on the property itself. In this regard, a purchase agreement is in principle a service agreement and not an agreement to acquire property rights. In the absence of property rights, a sales contract of the owner is easier to violate and therefore gives less protection to the manufacturer. One owner could go behind the producer`s back and sell the rights to another party. The producer would not resort to an infringement application. Conversely, as part of an option agreement, the builder has acquired a stake in the property that will not be returned to the owner until after the option has expired.